Did you buy a relocation exopolitical ticket?

During the late 90s around 1998; in my batch of tickets which were nanotech systems tagged DIPT doses which is the perfected version of LSD you were sold a 165 – 195 mg doses of DIPT; included in the mix for divination was Craig McGregor’s 8.9 million doses of MDMA; in the pallet there was 250k of Dream Times and 175k yin/yang tickets.

Should this planet make itself insignificant in the standard of high lighted births that have occurred here due to self-service types; it will be clear for a hyperspace bypass in a champagne supernova.

The 2455 on my own batch of the pallet are guaranteed to be relocated to a new home world, in fact my own where you will each inherit a 5 hectare property with large sprawling house, title and granted work; the others in the mix will be divinized in lots of various other home worlds; and everyone who missed out will just have put up with being cremated in a supernova of the sun.

This was done because under interstellar standards in the event of a “Natural Disaster Area!” if you’re in the area you have to assist and relocate some of the population within means of their provision through doing trade and that kind of bollocks which isn’t just standard services, it has to be through a gift; if you have ismaled yourself to a cremation then that is your problem, should have thought about that before assaulting a grace, which sits outside and above royalty as a noble that as an alien just happens to be able to look and test in every regard as you; with-in measure.

If you notice you will be unable to register domains containing the word ‘extraterrestrial‘ this is as with the internet you have to be outside the scope of the physical binding words to register it inward and upward, clearly if you do a whois on the following domains you will have a rude shock about the nature of my physical presence like my daughters and identical twin pooty:-

  • extraterrestrialslam.me.uk
  • extraterrestrialmail.com
  • extraterrestrialphysics.us
  • extraterrestrialslam.org
  • extraterrestrialembassy.com
  • extraterrestrialsex.com

Reclaim The Streets ~ 12th Dec 2015

I will be going to this event on facebook :: https://www.facebook.com/events/1274606679232253/

The details of themselfs area:-

This free multi-stage mobile protest festival meets at Camperdown
Memorial Park in Newtown at 2pm and leaves soon after.

It’s not fair to be locked out of your city by excessive
rents and curfews.

The city is not just an investment portfolio for the super
rich, it’s our home too.

This is about who decides what a liveable city is.

Don’t let property developers, bankers and toll operators
buy that right away from you.

Would you rather a park or a car park?

A casino or a dance floor?

Transport or congestion?

Apartments or a museum?

Public schools or gated estates?

A community or a ghost town?

Come dance December 12 for a liveable city for all.

There ain’t no war but the class war.
Ain’t no party like RECLAIM THE STREETS!

Prangga verse Gabba and maturity in sound + performances!

At the moment there is a disturbing trend in the doof scene which is the only dance community in en.wikipedia.org/wiki/Doof (Seeming I did a take over in getting to what normally describes and omnipedic sound for an explosion back in 1997, but I got too it just a few days before the original scribe!) to play what is loud beats and constant screaming that sounds like children being thrown into meat processing while still alive to a cold raving luntic beat not the warm beats we have in the doof like a hot plate of food; something from ex. raving like gabba is inconstant and not our form, firm or inways.

There is a type of music called Prangga that is similar and it is called this as it causes accidents like car accidents and so on which is when you remix the sounds of porn online and just imagine how many accidents are waiting to happen just on youjizz.com or pornhub.com.

See interpolating screaming is childish and poor form, it holds not any reflection of taste of style or threat but sexual sounds are always taken in a personal contextual basis and hap hazard problems for even the seasoned listener.

Often in most conditions it is not the scene or the subculture in it that has the accidents, sometimes it comes even as a train wreck but rarely in flight; it is the general commuters and pedestrians that have the ptang prang ~ accidents



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